However, most reviews agreed Tillman failed to create a broader, concrete picture.

Now, with the release of his new album God’s Favorite Customer, Tillman may have articulated what he’s been trying to tell us all along.

It’s an album full of all the whimsical, ridiculous stories and images that have defined Father John Misty’s career so far, but also centers itself onto a central theme. This fictional persona is parallel to the actual man in terms of opinions and troubles, but commands much more arrogance and confidence than Tillman himself. So, Tillman tries to separate the man from the myth.

Its quite a feat to attempt on your fourth full length album, and even harder to do when such a large and loyal fan base assumes the two to be one and the same. He even recognizes this by telling us that “disappointing diamonds are the rarest of them all.” His fans set up his music to always be profound, but Tillman finally admits its okay to write for the sake of self-expression or, dare I say, entertaining purposes.

The release of this album also means big news for Chicago.

Father John Misty is planned to headline in one of the city’s biggest music festivals, Riot Fest, so fans can anticipate for the hits off this new album to be planned here this September. So if this review accurately predicts how critics will receive his newest work, an even bigger crowd may be at the event. This is probable because Riot Fest doesn’t always have the pleasure of headlining such a big name that has put out such recent music.

While God’s Favorite Customer still relies on a lot of the old shticks that Tillman used in the past – like boldfaced and borderline pretentious comments about politics and religion – it surpasses past albums in nearly every other way. It very well may be Father John Misty’s best album to date.

The post Father John Misty’s Potential is Fully Realized in New Album appeared first on Red Roll.

Although Pure Comedy was written predominantly in 2015, it might be the album most indicative of 2017 on this list.  The title track of Father John Misty’s third studio album is a ruthless dissertation on the modern human condition.  The cut “Two Wildly Different Perspectives” is a painfully accurate portrait of American political discourse in the Trump era.  Where Father John Misty’s last record I Love You Honey Bear was a raw and delicate, Pure Comedy is scathing and relentlessly political.

9. Masseduction- Saint Vincent

“I have lost a hero/ I have lost a friend” St. Vincent’s Annie Clark reflects on her standout track of Masseduction, “New York”.  The album paints a more personal and subdued story than her previous work.  Masseduction is a rumination on failed relationships and heartbreaks that is both heartbreaking and lovely.

8. Plunge- Fever Ray

Leave any conceptions about modern popular music at the door with Fever Ray’s sophomore effort, Plunge.  Rabid and energetic, Fever Ray lives up to her exclamation, “Destroy boring”.  She does not wait for anyone’s judgments.  Plunge  is unapologetically eccentric and blunt, a perfect fit for its time.

7. Flower Boy- Tyler the Creator

The once jagged and edgy Tyler the Creator is now vulnerable and matured.  Flower Boy drops the tough guy act for jazz-influenced chords, colorful lyrics, and a coming out statement.  Tracks like “See You Again” showcase Tyler singing abilities boldly, a move rarely done in his previous albums, while cuts like “Who Dat Boy” are a nod to his fanbase that he is still a skilled MC.  He weaves these abilities together to create one of his strongest albums yet.

6. Black Origami- Jlin

In an industry dominated by trap-influenced beats, Black Origami is a refreshing take on modern dance music.  Through tabla riddled spasms and world music inspired instrumentals, Jlin finds her sound in the power of percussion.  Through Black Origami, Jlin has created a new landscape for electronic music.

5. Take Me Apart- Kelela

With Take Me Apart, Kelela introduces a new style of R&b with an electronic twist.  In the artist’s debut album, she wrestles with her different identities of being black, a woman, and from an immigrant family, while finding her way in her relationships.  Take Me Apart  combines hip-hop and electronic influences to create an intricate story of vulnerability.

4. 4:44- Jay Z

After Beyonce’s Lemonade, everyone awaited Jay Z’s response to his infidelity.  With 4:44 Jay Z returns to his roots to repent for his wrongdoings.  The title track, finds him in rare form, calm and collected, but humiliated and apologetic.  Cuts like “The Story of OJ” reflect on his experiences of being a black man in America, while “Legacy” offers solutions to problems he sees in his community.  4:44  is a deviation from Jay Z’s usual sound, but is refreshing while restrained.

3. Ctrl- SZA

SZA began 2017 not knowing whether her dream of releasing a successful studio album would ever be realized.  She is ending the year with a platinum record under her belt.  Ctrl tells the heart-wrenching story of modern relationships through SZA’s experiences of infidelity and mistrust.  Tracks like “The Weekend” give listeners another perspective in the much-uncharted territory of the mistress in a relationship, whereas “Love Galore” and “Supermodel” are raw meditations on her own self-doubts in romantic pursuits.  In the world of Tinder and new modes of flirtation, Ctrl is an album any single “20 Something” can relate to.

2. Damn. – Kendrick Lamar

2015’s To Pimp a Butterfly saw Kendrick Lamar finding and cementing his place in the rap game, by bringing stinging commentary of race and depression, while struggling to find his footing as a celebrity.  This year’s Damn found Kendrick dropping the jazz and funk influences of his previous work, for a record with more pop appeal.  The breakout single, “Humble” took the Billboard music charts with its catchy chorus and honest lyrics.  Damn brings a new era of Kendrick Lamar, a more light-hearted and a prideful artist.

1. Melodrama- Lorde

Lorde stunned the music world with her release of “Green Light” this March.  Her usual teenage angst matured as she mourned her lost relationship with poppy ballads.  Lorde retreated after her debut Pure Heroine, but she emerged this summer with one of the strongest records of the year.  Melodrama follows the young artist’s journey through the emotionally intense late teenage years, within the context of her breakup.  Starting with “Green Light”, we see Lorde put herself back together, while tracks like “The Lourve” find the artist trying to salvage the golden moments of her relationship, though it is now over.  Lorde makes peace with her choices as a young adult in her final track, “Perfect Places”, as she realizes that there is no perfect place or perfect action that would have saved her relationship.  Being a young adult can be tumultuous, terrifying and of course, melodramatic, and Lorde turned teenage anxiety into a work of art.

The post Best Albums of 2017 appeared first on Red Roll.